Who Gets to be Called Czech?

Czech music is extraordinarily rich and varied, many would agree. But who actually gets to be called Czech? Professor Michael Beckerman hosted a panel discussion about how to conceive of questions of Czech nationality/ethnicity in music from the early Renaissance to the 20th century. Invited panelists included scholars and musicians Erika Supria Honisch, David Hoose, and Carl C. Bettendorf.

Would Antonín Dvořák Have Wanted the Music of African American Composers Programmed Instead of the “New World” Symphony?

On January 18th, in honor of Martin Luther King Jr. Day, DAHA presented a virtual panel discussion with Marcus Pyle, NYU/Davidson University, Douglas Shadle, Vanderbilt University, and Michael Beckerman, New York University. This broad exploration of musical and cultural issues raised pressing contemporary questions.